NOTE: Updated for RX7 and Cubase 10 Pro. I am using iZotope RX 7 Standard together with Cubase Pro to help me record and master audiobooks. Everything being equal, you really should not need any sort of repair system when recording voice overs professionally. What are the keyboard shortcuts for RX? Below is the list of the Default RX Application Keyboard Shortcuts: These Keyboard Shortcuts are also located inside of the RX Reference Manual. Oct 23, 2017 RX 6 is available in three versions—RX Elements, RX 6 Standard and RX 6 Advanced. The Advanced version has the most features and highest price tag. The component plug-ins are available in AAX, Audiosuite DPM, Audio Units, RTAS, VST 2 and VST 3 formats. I used the AU plug-ins in Digital Performer 9, using an 8-core Mac Pro running OS X 10.9.5.

1. Izotope Rx 6 Advanced Manual
2. Izotope Rx Tutorial
3. Looping Izotope Rx- 6 1

Keyboard Shortcut Guide. The following table lists all default keyboard shortcuts in the RX Audio Editor. RX has options for defining your own keyboard shortcut commands. The column named “RX Shortcut Command Name” lists the name asociated with each default shortcut in the RX Audio Editor. Apr 11, 2016  Get the 30-day free trial of RX 5 Audio Editor at www.izotope.com/rx Use Ambience Match to fill in gaps in ambience under constructed sentences and ADR lines. It’s the twenty-first century. You can compose, produce, mix, master, and release a track, all from one computer, with hundreds of amazing products out there to help. Many of these products are synthesizers, which can contain thousands of pre-made sounds to choose from.

File menu

This menu provides access to the import, saving and export functions described in Working with Files

Edit menu

• Undo [Ctrl/Cmd-Z] Reverses the last action taken.
  
• Redo [Ctrl/Cmd-Shift-Z; Ctrl/Cmd-Y] Cancels the undo.
  

  Undo History

  • RX features an Undo History window, which logs a detailed list of all actions taken, and lets you navigate through them.
    
  
  
• Cut[Ctrl/Cmd-X] Removes the currently selected audio and stores it temporarily on the Clipboard.
  
• Copy [Ctrl/Cmd-C] Makes a copy of the currently selected audio and places it on the Clipboard.
  
• Paste[Ctrl/Cmd-V] Places audio that has been copied or cut to the Clipboard at the current cursor point.
  
• Paste Special Provides additional options for placing the Clipboard data:
  
  • Insert [Ctrl/Cmd-Alt/Opt-V]: Inserts the audio from the Clipboard and moves audio in the project [does not overwrite]
    
  • Replace [Ctrl/Cmd-Alt/Opt-Shift-V]: Replaces audio in the project with audio from the Clipboard
    
  • Mix [Shift-V] Combines the audio from the Clipboard with audio in the project
    
  • Invert and Mix [Alt/Opt-V] Inverts the audio in the Clipboard and then mixes it with audio in the project. This is useful when you want to compute the difference between two signals.
    
  • To Selection [Alt/Opt-Shift-V] Pastes audio from the clipboard only within the selection bounds, regardless of the copied audio’s length. If the copied audio is longer than the new selection, the audio will be cropped to fit. If the selection is longer than the audio being pasted, silence will be inserted to fill the remaining space.
    
  • To Clip Gain Only [Ctrl/Cmd-Shift-V] Pastes only clip gain information to the current selection
    
• Deselect [Ctrl/Cmd-D] If audio is selected, deselects it and places the anchor sample at the start of the selection.
  
• Reselect [Esc] Restores the last selection if you have no current selection.
  
• Select All [Ctrl/Cmd-Shift-D] Selects the entire open file.
  
• Invert Selection [Ctrl/Cmd-Shift-I] Selects everything that isn’t currently selected.
  
• Invert Selection Frequencies [Ctrl/Cmd-I] Selects everything in the current time range that isn’t selected. This is useful for refining processing by first selecting what you don’t want to process, then inverting the selection frequency.
  
• Select Harmonics [Ctrl/Cmd-Shift-H] Refines the current selection to include more harmonics. For this feature to work well, try it with a simple selection that includes only the fundamental harmonic of what you are trying to select.
  You can also use the Magic Wand tool to automatically refine a selection to include the appropriate harmonics.
  
• Begin Selection at Playhead [Left Bracket]during playback only If audio is currently selected, this will automatically adjust the selection to begin at the current playback position.
  
• End Selection at Playhead [Right Bracket]during playback only Automatically create a selection between the current playhead position and the original anchor playhead position.
  
• Delete Selection [Delete on a time selection] Deletes the selected audio and closes the space with audio from either side of the timeline.
  
• Silence [Delete on a frequency, time-frequency, or freeform selection] Deletes selected audio and replaces it with silence.
  
• Trim to Selection [Ctrl/Cmd-T] Deletes all audio except for the selected audio.
  
• Add Marker or Region [M] This will create a new marker point at the current location of the cursor/playhead or create a new region if any audio is selected.
  
• Edit Cursor Mode Changes the behavior of the editor cursor to select by time and/or frequency, or to zoom. These modes can also be selected from the Cursor Mode buttons.
  
  • Select Time [T] Makes a time selection
    
  • Select Time/Freq [R] Makes a Rectangular time-frequency selection
    
  • Select Freq [F] Makes a frequency selection for the duration of a file
    
  • Lasso [L] Selects everything in a freely defined area
    
  • Selection Brush [B] Selects everything in a predefined radius
    
  • Selection Wand [W] Intelligently selects material similar to whatever is under your cursor [magic wand]
    
  • Zoom Time [Z] Zooms in time
    
  • Zoom Time/Freq [Shift-Z] Zooms in time and frequency
    
  • Zoom Freq [Alt/Opt-Z] Zooms in frequency
    
  • Grab Time [G] Grabs and drags the view in time
    
  • Grab Time/Freq [Shift-G] Grabs and drags the view in time and frequency
    
  • Grab Freq [Alt/Opt-G] Grabs and drags the view in frequency
    
• Snap [Ctrl/Cmd-Shift-;] This will cause selections to be snapped to the variables listed below in the Snap To list.
  
  • Snap to:
    
    • Markers
      
    • Ruler Coarse
      
    • Ruler Fine
      
    • Zero Crossings
      
    • All
      
    • None
      

View menu

• Collapse/Expand Module Panel Collapses the module list panel of RX into a row of icons.
  
• Time Format RX’s time scale and playhead location counter can be set to show different time units. Learn more about changing the time format in the Transport chapter
  
• Follow Playhead [Ctrl/Cmd+P]: Toggles whether or not the current view follows the playhead position during playback.
  
  • In Page mode, the view will follow the playhead one view length at a time.
    
  • In Continuous mode, the view is centered on the playhead as it moves across the file.
    
• Effect Overlays: This sub-menu allows you to turn special display features for the De-clip and Spectral Repair [STD & ADV] modules on and off.For an overlay to be visible, you need to have the option selected in the view menu, and the corresponding module window needs to be open.
  
  • De-clip Threshold When the waveform is visible, the threshold settings and controls appear as white lines within the display. This display can be used to adjust the de-clip threshold settings.
    
  • Spectral Repair Source Regions Displays effective region bounds when using the Spectral Repair [STD & ADV] module.
    
• Clip Gain: The Clip Gain envelope allows you to adjust the gain of your clip over time. You can do the following with Clip Gain envelopes:
  
  • Fade in/fade out
    
  • Add nodes
    
  • Adjust the gain of individual nodes
    
  • Adjust the gain of an envelope selection
    
• To use the Clip Gain envelope:
  
  1. Select View > Clip Gain from the RX menu.
     
  2. The Clip Gain envelope appears with two nodes, one at the beginning of the clip, and one at the end of the clip.
     
  3. Click and drag one of the two nodes to increase (by dragging the node up) or decrease (by dragging the node down) the gain of the clip.
     
  4. If necessary, add new nodes by pressing Cmd/Ctrl and clicking anywhere in the editor view, or by clicking on the Clip Gain envelope itself.
     

Modules menu

Open a module window by selecting it from this menu. Any module name followed by … will open that module’s window.

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• Learn: Run Learn for a specific module on your current selection without opening the module window.
  

• Process: Apply module processing to your current selection without opening the module window.
  

Transport menu

• Input Monitor [Alt/Option-I] Enables input monitoring. When input monitoring is enabled, the input signal of RX will be routed to the output signal of RX.
  
• Arm for Recording / Record / Stop Recording [Alt/Option-Space] Runs the next possible step for recording. If you have not opened a new file, Arm for Recording will open the New File dialogue box for you.
  
• Rewind [Return] Sets the playhead to the beginning of the file.
  
• Play/Stop [Space] Starts or stops playback. If Input Monitoring is enabled, starting playback will temporarily suspend Input Monitoring.
  
• Loop Playback [Control/Command-L] Toggles playback looping. If nothing in the file is selected, the end of the file will loop back to the beginning.
  
• Playhead Returns on Stop [Control/Command-R] Toggles the behavior of the playhead on stop. If this is enabled, the playhead will return to the anchor sample (the position before playback began). This is useful for comparing processing.
  If this is disabled, the anchor sample will be set to the current playhead position. This is useful for moving through a file while listening for irregularities.
  

Window menu

Izotope Rx 6 Advanced Manual

This menu displays the available modules, some metering windows, markers and regions, and a list of your currently open files. Clicking on any of them will bring you to that file.

• Batch Processing [Ctrl/Cmd+B] This gives you access to file based batch processing, as explained in the Batch Processor chapter.
  
• Waveform Statistics [Alt/Opt+D] This gives you access to informational readouts on a variety of amplitude measurements, as explained in the Waveform Statistics chapter.
  
• Spectrum Analyzer The Spectrum Analyzer displays an analytical view of your audio. More information is located in the Spectrum Analyzer chapter.
  
• Markers and Regions [Alt+M]
  Markers and regions allows you to define and save particular points or selections in time for your audio file. More information is located in the Markers and Regions
  
• File Info This gives you access to any metadata and other information about the audio file, as explained in the Working with Files chapter.
  
• Next File (Control-Tab) Changes RX’s current file tab to the next file in the window order.
  
• Previous File (Control-Shift-Tab) Changes RX’s current file tab to the previous file in the window order.
  

Izotope Rx Tutorial

Help menu

Looping Izotope Rx- 6 1

This window allows you to launch the help, navigate to the keyboard shortcut guide and also access free online video tutorials.